Showing posts with label Kaye-Smith. Show all posts
Showing posts with label Kaye-Smith. Show all posts

Wednesday, 26 January 2011

Susan Spray (Kaye-Smith)

As soon as I picked up Susan Spray I was struck by the pastoral theme of the cover image. VMC cover art doesn't always seem to tie in with content, but it does on this occasion. Sheila Kaye-Smith, who I first encountered in her wonderful novel Joanna Godden, last year had a reputation for writing novels strongly influenced by her love of the countryside, in particular her native Sussex, and Susan Spray reflects that. Susan Spray reflects Kaye-Smith's other interest, aside from writing, being religion. According to the information in the front of the book, Kaye-Smith had quite a strong religious life - brought up as an Anglican, she later converted to the Roman Catholic Church. And religion is a strong element in Susan Spray; as the introduction states "it is a success story, with a twist - the twist being religion". I was absolutely fascinated by this novel, having never read anything with quite the same sort of themes.

"Susan Spray was born at Copthorne on the Surrey and Sussex borders, in the year 1834.", begins the book. But she is born into a family who belong to the Colgate Brethren, an obscure religious sect. At the age of six, she has a vision of the Lord and seems set on a religious future. Unfortunately, very early on, she and her siblings are orphaned, and after a spell in the Poor House in Horsham, she and her sister end up working on a farm in Sussex. The rest of the book details how Susan goes on to become a preacher for the Colgate Brethren, but at the same time it deals with her personal life - marriage, widowhood, marriage, separation, love...and a final astonishing twist that I really wasn't expecting. The book is well paced and was difficult to put down, hence I got through it quickly despite it being 375p.

This book has only been published once with an original green cover. And although it was on my TBR pile I was motivated to get on and read it partly by Virago Reading Week, but also because I came across the name Susan Kaye-Smith in connection with Noel Streatfeild whose biography I was rereading having picked up two of her books at the Oxford bookfair at the weekend (isn't it wonderful where trails can lead us?). There are only two books by Kaye-Smith on the Virago list but I would seek her other novels out too.

Thursday, 5 August 2010

Joanna Godden (Sheila Kaye-Smith) 115

""'She forgets her distrust of the night air in all her misery of throbbing head and heart, and flung back the casement, so that the soft marsh wind came in, with rain upon it, and her tears were mingled with the tears of night. 'Oh God!' she moaned to herself - 'why didn't you make me a man?''

My latest VMC read marked a return to more familiar Virago Modern Classic territory with a saga-style story centring around a strong female lead and dealing with issues of feminism. This was Joanna Godden (Sheila Kaye Smith) (one of those titles that sits on the shelf and confuses you as to which is the author, and which is the title).

Set in Romney, Sussex, it follows the story of Joanna, recently bereaved of her father and left the family sheep-farm. It is expected that she will marry, in order to gain a man to run the estate, but Joanna refuses to follow convention and takes on the management of the farm herself. It is no easy task for a woman, and Joanna also has a constant stream of suitors. However, she would not be able to achieve professional fulfilment in running the farm if she were to accept one, since they would take over the farm. And this dilemma is the very heart of the book.

It was made into a film in 1947, entitled The loves of Joanna Godden, made by the Ealing Studios and with music by Vaughan Williams - think it would make for a wonderful rainy Sunday afternoon film. But apparently it has a very different ending to the book.

It's just got the one rather lovely original green cover. Virago also publish her novel Susan Spray, and I shall be interested to see how that compares.